clair056

'Drag is about many things . It is about clothes and sex. It subverts the dress codes that tell us what men and women should look like in our organised society. It creates tension and releases tension, confronts and appeases. It is about role playing and questions the meaning of both gender and sexual identity. It is about anarchy and defiance. It is about men's fear of women as much as men's love of women and it is about gay identity' Drag: a history of female impersonation in the performing arts - Roger Baker, London, Cassell, 1994 (photo from New Orleans in the 1950s)

Alain Badiou's latest book to be translated into English is 'The Rebirth of History: Times of Riots and Uprisings' (published by Verso Books , 2012). Essentially it is a reflection on the popular movements that have erupted over the past couple of years, in particular those sometimes referred to as the 'Arab Spring'. For Badiou, this amounts to the start of nothing less than a rising up of what he terms 'the inexistent': 'Let us call…people, who are present in the world but absent from its meaning and decisions about its future, the inexistent of the world. We shall then say that a change of world is real when an inexistent of the world starts to exist in this same world with maximum intensity. This is exactly what people in the popular rallies in Egypt were saying and are still saying: we used not to exist, but now we exist, and we can determine the history of the country. This subjective fact is endowed with an extraordinary power. The inexistent has a...

In December 1988, Paul Morley wrote an article for Marxism Today magazine entitled 'Towing the Party Line': 'Parties make me anxious. Everything makes me anxious, because living means living anxiously, but the thought of a party, let alone the reality of a party, makes up for a certain, monstrous kind of apprehension akin to the feeling of knowing at exactly what time I am going to die. Just the thought of it makes me very concerned and disheartened. Dying I mean, not going to a party. I suppose I'll choose going to a party before death, but only just. Just the thought of it makes me very concerned and disheartened. Going to a party, I mean. I break out into a warm sticky sweat: I can see it now . . . it's party time . . . the door opens . . . I'm forced into the flow . . . Imust mix . . . people at the party laugh as if things were going better and better, as if they did not know that the abyss is there . .. they smile at one another, are nice and friendly and ...

'Banning Disco nights cause Chayamba secondary school to close as students riot' (6 November 2012, Zodiak Radio ) 'Chayamba Secondary School in Malawi’s central region district of Kasungu has been closed indefinitely following violent protests by students on Friday night. Armed police officers have been patrolling school since the incident.Police have arrested 12 students in connection with property damage caused by the protests. The suspected ringleaders are likely to answer charges of causing malicious damage. Students were sent packing on Sunday morning. The students staged violent protest after the administration announced that night disco parties were banned and that such events would be restricted to daytime.The administration claimed night disco was fueling bad behavior among students such as alcohol abuse and sex.The students have been ordered to sign a form committing themselves to pay for the cost of property damaged. The cost is yet to be established, but the sch...

The London Anarchist Bookfair was a couple of weeks ago (October 27th to be precise) and to turn up without some printed matter to disseminate is a bit like going to a party and not taking any drink with you. So I put together a short paper zine collecting together some articles from this site, including material on Malcolm X, radio in the Portuguese revolution 1974, London's Club UK in the 1990s, and a round up of free parties and police from this year. You can download History is Made at Night Sampler 1.0 here (12 pages A5 ) At the Bookfair I helped on the Datacide stall, shifting copies of the essential new issue ( detailed here previously ). Also on the stall we had a few copies of John Eden's Tweetah reggae zine.  You may recall the great reggae/dubstep/grime zine Woofah. A lot of material was written for a final issue that never actually came out for various reasons, so John Eden has put out some of it in the one-off (?) Tweetah. There's a great interview wi...

Friday night's Praxis Records party on the MS Stubnitz in London docklands was great, may write a bit more about it, but for now here's something about the label's early history and more specifically the mid-1990s Dead by Dawn parties at the 121 squat centre in Brixon ( as discussed at this site before ). These extracts are from 'Bread and (Rock) Circuses: sites of sonic conflict in London' by Alexei Monroe, published in 'Imagined Londons' edited by Pamela K. Gilbert (SUNY Press, 2002). 'Gabber and associated variants (stormcore, nordcore, hartcore, speedcore) all represent not just aesthetic extremism but a frantic search for an un-colonised sonic space that will prove resistant to commodification and appropriation. All are based on the testing and surpassing of kinetic-sensory-pharmacological-sonic frontiers and a reaction against ideological, economic, and stylistic taboos. At the center of this stylistic mayhem lay the Dead by Dawn nights at the 121 ...