clair056

Following the recent death of Lou Reed, I could write a lot about his influence on me and the many hours of my life spent listening to him and the Velvet Underground. Intense student nights discovering chemicals whilst listening to 'Berlin' ('The Bed' still makes me shiver), hitch hiking to Amsterdam and getting a lift in a BMW playing 'Venus in Furs', all that indie pop taking its cue from 'Pale Blue Eyes' and 'What goes On' - indeed all those nights at How Does it Feel to be Loved? in Brixton, taking its name from the fade out of 'Beginning to see the light'. But I guess most of us could tell such stories. Instead of going any further down my own memory lane I'm going to write a bit about a lesser known episode in Lou Reed's career: the riots at his gigs in Italy in February 1975. In Milan, Reed fled the stage after just two songs (Sweet Jane and Coney Island Baby). In Rome, there were clashes between police and young people tr...

Great to see this Free Pussy Riot banner at tonight's football match between Manchester City and CSKA Moscow. It may have been swiftly removed by stewards, but the image of it is already going round the world. This week's the family of Nadya Tolokonnikova  complained that she has been 'disappeared' in the prison system. According to the Independent (2 November 2013) : 'A Pussy Riot member imprisoned at a Russian camp hasn't been heard from for 10 days, her family has said. Nadya Tolokonnikova was moved from her prison colony in the Russian republic of Mordovia on 21 October. She is currently serving two years for her band's performance of a crude song in a Moscow church in February 2012.She had been on hunger strike over conditions in the prison. Her father, Andrei Tolokonnikov, told Buzzfeed: “No one knows anything. There’s no proof she’s alive, we don’t know the state of her health. Is she sick? Has she been beaten?” Her husband, Petya Verzilov, has been p...

One of the most exciting sites I have come across recently is the Modernist Journals Project , a joint project of Brown University and the University of Tulsa that is digitising key early 20th century English language magazines. There's some astounding material there, not least numerous issues of 'The Crisis: A Record of the Darker Races', the ground-breaking journal of the National Association for the Advancement of Colored People edited by W.E.B. Du Bois. From Issue no.5 (March 1911), here's a poem by Rosalie Jonas entitled Ballade des Belles Milatraisses. Its subject matter is the Octoroon Balls of 19th century New Orleans where white men would meet 'mixed-race' women (octoroons were defined as one-eighth black, quadroons as one-quarter), and from which black men were excluded - or almost. As often in the history of American music and dance, black people were both excluded from fully participating as equals while simultaneously being central to it as musician...