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When Pete Seeger (1919-2014) was born the First World had only just finished. I don't feel so much sad that he has died this week almost a century later as amazed that his life, singing and activism has spanned such a long period of historical hopes, tragedies, victories and defeats. 'this machine surrounds hate and forces it to surrender' image of Seeger from 'Carry it on"' Pete Seeger's biggest direct influence on me was via a book rather than through his singing. 'Carry it On! A history in song and picture of the working men and women of America' was written by Seeger with Bob Reiser and first published in 1985. The book grew out of a 1982 call from Seeger, in the folk magazine 'Sing out' to 'commemorate the Haymarket Affair and celebrate working people and the growth of the unions'.  The book provides a potted history of U.S. struggles from the late 18th century onwards, with some amazing illustrations and photographs. But what ...

'New Orleans means music' So what word comes to mind when you hear the name 'New Orleans'? Other than 'flood' it's probably 'music'. But the city's live music scene is under threat of new restrictions from a proposed new 'Noise Ordinance'. 'The Music and Culture Coalition of New Orleans' is on the case and last week (17 January), musicians and their supporters converged en masse to protest at a Council meeting at New Orleans City Hall. Hundreds of people protested outside and then inside complete with their musical instruments. Picture from Louisiana Justice Institute As summarised by Offbeat the proposal 'maintains the current city noise ordinance (which is decades old) mandate that noise ordinance violations in the City of New Orleans are a criminal, versus civil, offense, and therefore criminalizes musicians who receive a noise violation citation'. It also 'sets the legal limit for public music at 60 decibels, a ...

Well 1984 was thirty years ago, so why not use the arbitrary temporal conventions of decade-based anniversaries as an excuse for a series of posts on that year? First of all, some reflections on the lead up to that year: 'Someday they won't let you,   so now you must agree The times they are a-telling,   and the changing isn't free You've read it in the tea leaves,   and the tracks are on TV Beware the savage jaw   Of 1984' (David Bowie) 1984 was no ordinary year. For a start it was a year carrying an ominous weight of dystopian expectations before it even started.  Of course George Orwell was to blame, writing in the immediate aftermath of the Second World War and, after some hesitation, choosing in 1948 to call his novel 1984.  If Orwell had stuck with his original working title, The Last Man in Europe, the sense of foreboding as 1984 approached would not have existed in the same way.  As it was, his novel had been continuously in print ever since an...

'I'm your man: the life of Leonard Cohen' (2012) is an excellent biography of everybody's favourite Jewish-Buddhist-Canadian singer/poet. With nearly 80 busy years behind him there's certainly plenty of material for a book like this, and Sylvie Simmons has interviewed the man himself and many of his friends, collaborators and lovers. One of the revelations to me was Cohen's time in London before his musical career. Cohen stayed at a boarding house in Hampstead from December 1959 to March 1960, working on a novel. With Nancy Bacal, a friend from Montreal, he drank regularly in the King William IV pub in Hampstead. After closing time they would explore the night time city, wandering around Soho and the East End. They went to the legendary All-Nighters at the Flamingo club on Wardour Street, with its mixed black and white crowd dancing to jazz and R&B. Bacal recalled that 'There was so much weed in the air that it felt like walking into a painting of smoke...

UK Government documents just released by the National Archives include correspondence relating to a 1983 forged recording purporting to be a telephone conversation between Prime Minister Margaret Thatcher and President Reagan.  The tape, apparently made up of a montage of their real voices, appears to show them discussing plans to fire nuclear missiles at Germany and the controversial sinking of the Argentinian ship the Belgrano by the British navy during the Falkands War.  Press reports initially blamed the recording on the KGB; according to the Sunday Times, 8 January 1984: 'The tape is heavy with static and puntuated with strange noises, but through it all can be heard the authentic voices of Ronald Reagan on the telephone: "If there is a conflict we shall fire missiles at our allies to see to it that the Soviet Union stays within its borders." At the other end of the telephone is Mrs. Thatcher. "You mean Germany?" she asks increduously. "Mrs. Thatche...

'Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds. Queerness is a longing that propels us onward, beyond romances of the negative and toiling in the present. Queern...